My work in painting and drawing explores landscape as a way to reflect on perception, memory, and the passage of time. While rooted in specific places, the images are not direct representations. They blend traditional observational methods with more intuitive, interpretive approaches-combining careful study with shifts in light, color, and form.

I'm interested in how the act of looking reveals the instability of what we see. A landscape may appear familiar yet feel distant, vivid yet dissolving. This balance between direct observation and abstraction allows the work to engage with the tension between presence and disappearance, clarity and softness.

Rather than focusing on narrative or location, each image offers a distilled impression- something open-ended and unresolved. The landscape becomes a framework for exploring change, loss, and the transient nature of experience. These visual spaces suggest a kind of stillness, yet remain in motion, shaped by time and perception.